Anti-militarist newspaper ‘The Newham Adversary’ hits London borough in anticipation of DSEi arms fair this September

The anti-militarist newspaper, The Newham Adversary, was officially launched last Saturday, with distribution beginning in the borough of Newham in the run up to DSEi 2013.

DSEi, one of the world’s largest international arms fairs, has taken place in the ExCeL Centre for a number of years, in spite of local opposition and a unanimous vote of condemnation by Newham Council.

Newham AdversoryThe Adversary, produced by the Stop the Arms Fair coalition (STAF), is an important part of anti-arms trade campaigners’ outreach to local residents, providing information about the companies and governments expected to attend, the reality of how deals brokered at DSEi result in political repression, injury and death, and (most crucially) how to get involved in shutting DSEi down.

The Newham Recorder covered the launch of the publication, now in its second edition (the first issue coincided with DSEi 2011) earlier this week. The print run of 3,000 is expected to be handed out outside tube stations near the docklands, as well as being posted door-to-door in the coming weeks.

Pluto is happy to host the PDF edition of the paper on this blog. Simply click the banner below. For more information about how to get involved in shutting down DSEi, go to the Stop the Arms Fair website.

Adversary Banner

The Adventures of Melanie Pax – anti-militarist comic strip

Good afternoon, radicals and book-lovers…

Thought we’d give you something a little different today. Here at Pluto we’re not just passionate about books, but about all sorts of things. Lucky for us, those of us interested in politics and activism get to create lovely books during the day that we want to cosy up with at night. I just finished reading Donny Gluckstein’s A People’s History of the Second World War, which was ace. and I’ve now moved onto Nick Robins’ Corporation that Changed the World and Alice Rothchild’s Broken Promises, Broken Dreams. (Even better, I get to read them for free because I work here…)

But we also like to share free things with others too. I recently spent a couple of weeks toiling away on a comic strip for Stop the Arms Fair coalition – a campaigning group that is filled with amazing people doing wonders to try and shut down the arms trade and its biannual presence in London’s Excel Centre, (the DSEi arms fair.) We’ve now got hundreds of copies printed on nice recycled paper, thanks to the legends at Calverts Co-operative. But why not share it more widely, I thought? So here it is, a FREE comic strip that’s GUARANTEED to be the most ATTRACTIVE PROPAGANDA you’ve ever seen… and if you’re not immediately convinced of the merits of anti-militarism, why not check out Vijay Mehta’s book, The Economics of Killing as well…



National Gallery ends financial partnership with Italian arms company Finmeccanica

Disarm the Gallery: A lovely tale of campaigning success

Chris Browne

A couple of days ago I left for work early, cycling with my friend in the tepid autumn sunlight to Abney Park Cemetery in North London. Outside my work at Pluto I occasionally take photographs of things for campaigning organisations, and both my friend and I have been involved for the last year or so in ‘Disarm the Gallery’ – an offshoot of the larger Stop the Arms Fair Coalition (STAF).

We’d made a pit-stop at Abney Park on my usual cycle through Stoke Newington, with our panniers containing my camera and a few home-made zombie limbs – papier-mâchéd and painted green, their humorously skeletal fingers protruded out of our bags, inviting double-takes from bus drivers and pedestrians making their way along Church Street.

Walking through the cemetery, which is the overcrowded and overgrown resting place of nearly two-century’s worth of political and religious non-conformists, we pitched up at a number of particularly choice gravestones and plonked the zombie arms into the earth in a series of different poses. The idea was to take pictures of zombies rising up out of the ground, ready to join the ranks of the righteous, anti-militarist undead who were planning to swarm on the National Gallery at Halloween. The anti-militarist undead would be the giddily excited (because facepainted), but nonetheless pissed off activists from Disarm the Gallery. The pictures were intended as social media buzz-generators for what promised to be the latest in a series of creative, high profile actions against the Gallery because of its links to the arms trade.

A little context then. The campaign’s genesis was in September 2011, during last year’s DSEi arms fair, when arms dealers were invited to a special event inside the National Gallery, where wine and nibbles would be consumed in opulent surroundings, and perhaps deals might be discussed. They didn’t know we knew about it and so we had a lot of fun on the day. However, it later transpired that this was no one-off liaison between one of our most famous public institutions and the nefarious, venal world of gun-running.

Finmeccanica, Italy’s largest arms manufacturer, had at that point nurtured a 5-year old relationship with the Gallery, where it gave them an annual £30,000 in exchange for the use of the Gallery as a function space throughout the year. Disarm the Gallery’s intent was to embarrass and shame the Gallery publicly until this relationship became untenable. In March a number of us had dressed up in stereotypical French painter garb (think berets and paint-covered smocks) and spelled out the message ‘disarm the gallery’ across 18 identical easels. Some clever people even made a video of it.

On a later day of action, small groups of us broke off inside the Gallery and wrote similar messages on sketch pads in the larger rooms, then donned the same berets – by now an entrenched visual signifier of our group – and held up our messages until security kicked us out.

The zombie demo was going to be the biggest and best action by far. We’d heard that Finmeccanica were hosting an event in the Gallery on October 31st. Made ebullient by the fact that this most sinister of industries was turning up on Halloween, of all days, we had quickly waved away any lingering concerns about the doubtful connotations of invoking the ‘undead’, and shoe-horned the fun, if not-quite-relevant idea of a zombie protest onto the agenda. There would be choreographed ‘Thriller’ flashmobs, hoards of groaning, staggering protesters outside the gallery, and (we hoped) lots of media ready to lap up the highly visual escapades.

Our sojourn into Abney Park was, it turns out, time wasted. By the time we got home I’d whittled the number of potential images down to about 20 and was about to edit them when I heard the brilliant news.

Though they were still embargoing it at this point, the Alternative Nobel Prize winners, Campaign Against Arms Trade (CAAT) had got an email from the National Gallery telling them that their long-standing sponsorship arrangement with Finmeccanica had ended, over a year early. The next day the press-release went out, with the sad caveat that there would be no mass mobilisation of the undead on October 31st:

A Gallery spokesperson told CAAT that Finmeccanica had “exercised their right to terminate” the agreement, but refused to disclose what discussions had preceded this decision.

Italian weapon manufacturer Finmeccanica has been one of the National Gallery’s ‘corporate benefactors’ since 2006. The contract was due to run until 1 October 2013.

In the wake of this campaign victory (what a beautiful word that is…), Sarah Waldron, a member of Disarm the Gallery who works at CAAT, gave me the following quote:

This was such an inspiring campaign to be part of: it was a fantastic joint effort with so many different groups and individuals coming together with passion and creativity. We’re glad that this energy and commitment has paid off – with a result that we hope will form an important part of a wider challenge to the arms trade in society and will help other campaigns against unethical corporate sponsorship in the arts. This is only the start!

Shiv Malik also wrote a piece in the Guardian last night, highlighting the campaign’s success.

Leaving aside the disappointment of the cancelled demo, there are some serious reflections to be made. At a time when the government continues to slash and burn all that’s best in our society; when corporate and political unaccountability runs rampant; when what little hope we kindle of our own democratic power to right such monumental wrongs seems all but spent, a win like this can’t be overestimated.

The sums of money involved – £30,000 a year – may seem scant compared to the money Oil continues to pump into the arts, and positively minuscule when we step back and examine the scale of corporate/political incest, but it is a decisive moment in our history. It is a moment when another finger was prised away from the arms trade’s iron grip on its own public image. It is a moment that will reverberate along the corridors of power where men make decisions they would rather others didn’t scrutinise. Most of all it is proof that together we can say No to something, and if we persist that ‘something’ will stop.

We shouldn’t get ahead of ourselves of course. This is a stepping stone, and a victory that will allow us to refuel our batteries and stave off burnout for another year. In 2013, DSEi, the world’s largest arms fair, is returning to the Excel Centre in London. Here the world’s most repressive regimes will come to strike deals with companies only too happy to sell them weapons. And it is here that we focus our attention once more. This is a much more formidable opponent, but there is surely a great deal more conviction and hope floating around today than there has been for some time.

The arms fair and the media

It has now been six days since the main day of action called by the Stop the Arms Fair coalition against DSEi –the world’s largest arms fair- held in the Excel Centre in East London. The dust will always take a little while to settle after big campaigning days such as Tuesday, but enough of a picture has emerged to process it through the word mill.

Firstly, we were not successful in shutting down the arms fair. If this sounds like too much of a pipe dream to have seriously been considered a possibility, it is always worth remembering that a concerted campaign by peace activists in Australia did bear this very result. Though we are unsuccessful this time around, we can take some comfort from the fact that it has been achieved before, and will be achieved again. Continue reading

Violence in suits

In just under two weeks time the Defence and Security Equipment international (DSEi) arms fair will once again open its doors in the Excel Centre, in London’s East End. DSEi, one of a number of weapons fairs owned by Clarion Events, rears its ugly head once every two years in the borough of Newham. It coincides, in something of a mirthless irony, with the anniversary of 9/11.
Throughout the week, some of the world’s most corrupt, repressive and human rights-abusing regimes will be invited at the behest of either Clarion or the British government, to peruse the wares of BAE Systems, Lockheed Martin, Raytheon, Heckler & Koch and other weapons manufacturers of dubious repute. Newham borough council condemned DSEi in a unanimous vote in 2007, on the grounds that it is deleterious to the celebration of ethnic diversity in a part of London that was particularly torn apart by bombing during World War 2. Needless to say, with the government placing such a premium on the value of the arms fair (a £320,000 subsidy for starters), DSEi continues to grow.
Activists from around the country will be descending on the Excel Centre again on the 13th September to try and the event cancelled -though in the short term many would probably settle for disrupting the event, and raising public awareness (and outrage) about this institutional travesty up another notch. Part of my own involvement in the Stop the Arms Fair Coalition has been producing a community newspaper, The Newham Adversary, which we intend to distribute to local residents in the week preceding DSEi. The article below is something I wrote for it in the aftermath of the August riots: